Fancy Dance Regalia

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Fancy Dance Regalia, drawing by Kathryn Darnell (from pg. 55, Marsha MacDowell, ed. Contemporary Great Lakes Pow Wow Regalia: "Nda Maamawigaami (Together We Dance)". East Lansing, Michigan: Michigan State University Museum in collaboration with the Nokomis Learning Center, 1997)

Regalia or apparel that is worn by dancers is handmade by the dancer or a relative or obtained through purchase or trade at pow wows. Dance regalia includes headdresses, bustles, jewelry, sashes, dresses, shirts, leggings, shawls, and a variety of handheld items. Some dances may only be performed by dancers wearing certain proper regalia. The clothing usually includes pieces made of materials from the Wingeds or Two-Wingeds (birds) and the Four-Leggeds (animals). By wearing clothing that contains elements of these natural materials, dancers honor all that gives life on Earth. Dancers and singers in Great Lakes pow wows also make extensive use of the colors red, black, white, and yellow in their regalia and facial adornment. In each case the selection of regalia and facial adornment are highly personal decisions, thus regalia will vary greatly from one dancer to the next. -- (Arnie Parish and Marsha MacDowell in Marsha MacDowell, ed. Contemporary Great Lakes Pow Wow Regalia: "Nda Maamawigaami (Together We Dance)". East Lansing, Michigan: Michigan State University Museum in collaboration with the Nokomis Learning Center, 1997)


Fancy dances and regalia

No other style of American Indian dance has such widespread popularity among native peoples across the country than the Fancy Dance and the regalia has become the pervasive outfit of the Pan-Indian dancer. While Buffalo Bill's Wild West Show may not have been the only reason for the creation of the Men's Fancy Dance, it does reflect the desire of young men to have a showier, more athletic dance and the desires of an outside audience for a "better show."

The most striking feature of the Fancy Dance regalia are the large bustles. These are usually "swing" bustles, made to allow the feathers to swing back and forth with the dancer's movement. All fancy dancers use twirlers. The whole assemblage usually features one or two favorite colors of the wearer. -- (Cameron Wood with Jason George in Marsha MacDowell, ed. Contemporary Great Lakes Pow Wow Regalia: "Nda Maamawigaami (Together We Dance)". East Lansing, Michigan: Michigan State University Museum in collaboration with the Nokomis Learning Center, 1997)


Quotes from pow wow dancers and regalia makers in the Great Lakes

To many people their outfits are a part of them. Some people dreamed of their outfits and they hold special meaning. A lot of people I know, their outfits have been handed down to them from their grandfather or grandmother. These aren't just something we throw together. (Bedahbin Webkamigad)

Well, I don't put a label on why I dance. I dance because I enjoy it. It's a part of me and a part of my life. It helps to keep the community together... to always remember where we came from and where we are going. (Catherine Gibson)

The regalia that the traditional dancers wear has a lot to do with our beliefs. The colors that we wear with our regalia have meaning. Green represents Mother Earth. These colors [of my regalia] I have because I am Deer Clan...they are orange and yellow and white....Those are the colors that are like identification for me. (Stanley Peltier)

I started so young...I do remember starting to realize how much effort it took to put together an outfit. I remember I was probably about seven when I started wanting to help put together my outfits. I learned sewing from my mom and my dad helped me learn how to work with hides and make chokers. All my brothers and I were taught how to sew and all of us can get by doing some beadwork. (Bedahbin Webkamigad)

It's [the jingle dress] a healing dress and a very special dress. The healing and teaching behind it...[includes this story that]there was a grandchild that was sick and her grandfather didn't know what to do. And one day that grandfather had a dream of that girl; she was to wear a dress covered with bright cones. And in that dream that girl, the grandchild, would be healed. Each cone represents each day of the year, the 365 cones that I mentioned. This dress is seen as a healing dress and it is greatly respected. So this is the story of the jingle dress. (Elizabeth Osawamick)

[All of the above quotes are from Marsha MacDowell, ed. Contemporary Great Lakes Pow Wow Regalia: "Nda Maamawigaami (Together We Dance)". East Lansing, Michigan: Michigan State University Museum in collaboration with the Nokomis Learning Center, 1997)